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VELAZQUEZ, Diego Rodriguez de Silva y The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar oil painting


The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar
Painting ID::  9480
VELAZQUEZ, Diego Rodriguez de Silva y
The Dwarf Francisco Lezcano, Called El Nino de Vallecas ar
1642-45 Oil on canvas, 107 x 83 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Self Portrait set oil painting


Self Portrait set
Painting ID::  9481
VELAZQUEZ, Diego Rodriguez de Silva y
Self Portrait set
1643 Oil on canvas Galleria degli Uffizi, Florence

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Court Dwarf Don Antonio el Ingl s set oil painting


Court Dwarf Don Antonio el Ingl s set
Painting ID::  9482
VELAZQUEZ, Diego Rodriguez de Silva y
Court Dwarf Don Antonio el Ingl s set
1640-45 Oil on canvas, 142 x 107 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Phillip IV in Army Dress (The portrait of Fraga)  wet oil painting


Phillip IV in Army Dress (The portrait of Fraga) wet
Painting ID::  9483
VELAZQUEZ, Diego Rodriguez de Silva y
Phillip IV in Army Dress (The portrait of Fraga) wet
1644 Oil on canvas, 133,5 x 95 cm Frick Collection, New York

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y View of Zaragoza set oil painting


View of Zaragoza set
Painting ID::  9484
VELAZQUEZ, Diego Rodriguez de Silva y
View of Zaragoza set
1647 Oil on canvas, 181 x 331 cm Museo del Prado, Madrid

   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

     Related Artists::.
     | Gustav Wentzel | JOOS van Wassenhove | Johan-Erik, Lim Johan Olsson |


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